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    John Vaillant’s “Fire Weather” has won the Baillie Gifford Prize for nonfiction.

    Jonny Diamond

    November 16, 2023, 5:15pm

    John Vaillant’s Fire Weather: A True Story From a Hotter World, has won the prestigious Baillie Gifford Prize for nonfiction. Per Frederick Studemann, chair of judges for the prize:

    Fire Weather brings together a series of harrowing human stories with science and geo-economics, in an extraordinary and elegantly rendered account of a terrifying climate disaster that engulfed a community and industry, underscoring our toxic relationship with fossil fuels. Moving back and forth in time, across subjects, and from the particular to the global, this meticulously researched, thrillingly told book forces readers to engage with one of the most urgent issues of our time.

    The climate disaster in question is the 2016 wildfire that swept through Fort McMurray, in Alberta, Canada, swallowing half a million acres of land and displacing nearly 100,000 people. You can read an excerpt from Fire Weather here.

    The Baillie Gifford Prize for Nonfiction is awarded annually, and comes with a £50,000 prize.

    Read Anne Boyer’s extraordinary New York Times resignation letter.

    Dan Sheehan

    November 16, 2023, 11:21am

    It’s been a hell of a 24 hours for writers demonstrating moral courage.

    Last night at the National Book Awards, over a dozen NBA finalists took to the stage to use their moment in the spotlight to oppose the ongoing bombardment of Gaza and to call for a ceasefire.

    Then, earlier this morning, the news broke that Pulitzer Prize-winning poet, essayist, and poetry editor of the New York Times Magazine, Anne Boyer, has resigned from her post, writing in her resignation letter that “the Israeli state’s U.S.-backed war against the people of Gaza is not a war for anyone” and that she “won’t write about poetry amid the ‘reasonable’ tones of those who aim to acclimatize us to this unreasonable suffering.”

    Here is Boyer’s extraordinary resignation letter—in which she takes direct aim at the language used by her (now former) employer in its coverage of the war on Gaza—in full:

    I have resigned as poetry editor of the New York Times Magazine.

    The Israeli state’s U.S.-backed war against the people of Gaza is not a war for anyone. There is no safety in it or from it, not for Israel, not for the United States or Europe, and especially not for the many Jewish people slandered by those who claim falsely to fight in their names. Its only profit is the deadly profit of oil interests and weapon manufacturers. The world, the future, our hearts—everything grows smaller and harder from it. This is not only a war of missiles and land invasions. It is the ongoing devastation of the people of Palestine, people who have resisted throughout decades of occupation, forced dislocation, deprivation, surveillance, siege, imprisonment, and torture.

    Because our status quo is self-expression, sometimes all artists have left is to refuse. So I refuse. I won’t write about poetry amidst the ‘reasonable’ tones of those who aim to acclimatize us to this unreasonable suffering. No more ghoulish euphemisms. No more sanitized hell-words. No more warmongering lies.

    If this resignation leaves a hole in the news the size of poetry, then that is the true shape of the present.”

    —Anne Boyer

     

    Let’s hope that Boyer’s courage inspires other writers of her stature to use their platforms to speak out against this unconscionable war.

     Missouri library buys extra copies of “Bang Like a Porn Star” for “research.”

    Jonny Diamond

    November 16, 2023, 10:59am

    The St. Charles County library system recently bought additional copies of a challenged book, Bang Like a Porn Star: Sex Tips from the Pros, because “committee members need more copies to conduct a formal review.” Suuuuure guys.

    The book, which features interviews with gay porn stars—along with helpful diagrams!—has been formally challenged by an as yet unnamed Charles County resident who doesn’t want you to learn about having good sex.

    According to St. Louis Today:

    Prior to the latest purchase, only one copy [of Bang Like a Porn Star] had been available, on the shelves at the library’s Kisker Road Branch near Weldon Spring. [Library spokesman] Lori Beth Crawford said she didn’t know when the committee would make a decision on the challenge.

    Anonymous sources* tell me it could take up to three years for the committee to fully understand and appreciate all the nuances of Bang Like a Porn Star and that one committee member was heard saying that “if we need more time to get the bottom of things we’ll damn well take it; this book is our top priority.”

    *I do not, in fact, have anonymous sources inside the St. Charles County library district.

    Here is the moment the National Book Award finalists called for a ceasefire.

    Dan Sheehan

    November 16, 2023, 1:34am

    In a star-studded National Book Awards ceremony that featured LeVar Burton (in another consummate turn as host), Oprah Winfrey (ebullient, and in person this time), and the disembodied voices of Julie Andrews, Trevor Noah, Matthew McConaughey (introducing the Translated Literature category…for some reason), and Dua Lipa, it was the nominees, and their collective moral courage, who stole the show.

    At the close of the evening, after being announced as the winner of the 2023 National Book Award for Fiction, Justin Torres announced that he would be keeping his remarks short, because the finalists had collectively decided to make a statement. Torres then invited more than a dozen of his fellow nominees to join him on stage as he gave a brief, lovely acceptance speech, before turning the microphone over to fiction finalist Aaliyah Bilal, who read the following:

    On behalf of the finalists, we oppose the ongoing bombardment of Gaza and call for a humanitarian cease-fire to address the urgent humanitarian needs of Palestinian civilians, particularly children. We oppose antisemitism and anti-Palestinian sentiment and Islamophobia equally, accepting the human dignity of all parties, knowing that further bloodshed does nothing to secure lasting peace in the region.

     

     

    On one of the biggest nights of their professional lives, at a time when the hostile national climate has cowed many of their creative peers into silence, these writers chose to spotlight the plight of the people of Gaza, and to call, loudly and clearly, for a ceasefire.

    When Bilal finished reading the statement, the room burst into thunderous applause.

    Zibby Owens withdraws sponsorship for the National Book Awards over its “pro-Palestinian agenda.”

    Dan Sheehan

    November 14, 2023, 3:21pm

    As reported by Publishers Lunch earlier today, Zibby Owens—the CEO of Zibby Media and creator/host of the Moms Don’t Have Time to Read Books podcast—has withdrawn her sponsorship of tomorrow’s National Book Awards ceremony, citing the nominees’ decision “to collectively band together to use their speeches to promote a pro-Palestinian, anti-Israeli agenda.”

    As detailed in a Substack post this morning, Owens had written to NBF executive director Ruth Dickey earlier this week after hearing a report that nominees might be planning collective action in support of Palestine at Wednesdays’ ceremony in New York:

    I am deeply troubled to learn that all the nominees of the National Book Awards this year have decided to collectively band together to use their speeches to promote a pro-Palestinian, anti-Israeli agenda. As a sponsor, I am not comfortable bringing my authors and my team into a politically charged environment like this one, one that will make many of us feel quite uncomfortable—including myself as a Jewish woman. It’s one thing to gather to celebrate literary accomplishments and reward books well-written. It’s quite another to be subsidizing an event that’s being used as a platform to fuel hate and divisiveness. Unless we can get complete and total assurance that the National Book Foundation will be actively and publicly denouncing anti-semitism and the inappropriate conduct and collusion of its nominees to foster a highly-charged, destructive environment, we’ll be rescinding our sponsorship and, of course, not attending. We know these times are fraught and difficult to navigate. But we simply can’t be a part of anything that promotes discrimination, in this case of Israel and the Jewish people. I hope your organization decides to take a public, strong stance against this one-sided, discriminatory behavior.

    In the same Substack post, Owens goes on to report on her subsequent conversation with National Book Foundation Director Ruth Dickey:

    When I spoke to Ruth, I was hoping for her to come back with what the National Book Foundation would be doing to prevent the weaponization of the National Book Awards stage. Ruth told me that she knew these were fraught times but that they did not believe in censoring speeches.

    Having found Dickey’s response to the issue raised unsatisfactory, Owens sent Dickey the following:

    I am deeply saddened to hear that all hate speech will be allowed and that there is no recourse planned for any inflammatory remarks should they occur, nor any preventative measures being taken. I believe deeply in free speech, but not hate speech. The National Book Foundation can run the awards in any way you choose, of course, but I can’t be a sponsor of this any longer. My team will not attend. We would like to rescind our donation knowing that it is funding an organization that will not attempt to prevent racist, religious or any other form of discrimination on its main stage. That is not a welcoming environment and isn’t aligned with my own values of kindness and community. I am devoting my entire career to uplifting authors and creating connections among authors and readers. There’s nothing I want more than to celebrate the accomplishments of talented authors like this year’s. But I can’t do so in an environment that values ‘not censoring’ authors more than preventing what seems likely given the collusion of many authors already—a prejudiced, activist environment that intends to use the platform of the book awards to perpetuate activism against a group based on race or religion.

    Owens closed her Substack post with this:

    I hope that the brilliant authors who win the awards tomorrow night use their speeches for good. I hope this concern was for naught and that there are no anti-semitic comments. Unfortunately, in these highly charged days with hostages held and attacks happening, a line as simple as “Free Palestine,” or “from the river to the sea,” means more than just support of one side; it has come to mean the antagonization of an entire religion, not just a place.

    I want the authors to be thrilled. I am thrilled for them. A good book to me is absolutely everything. And these authors should be commended and celebrated for their wonderful accomplishments in the literary world. Truly. I say that knowing we are often on opposite sides of a political fence. But if we can’t come together when celebrating books and literature, when can we? Books and literature should unite us as human beings. They transport, educate, and connect. Books are a common language, a gift, an enabling of multiple perspectives.

    My hope is that the NBF takes action to ensure their awards feel like a safe space to celebrate books. After all, isn’t that why we all attend?!

    Now, individuals are entitled to their personal opinions (even if those opinions, in my opinion, irresponsibly conflate Palestinian advocacy with antisemitism), and are free to sponsor or not sponsor any cultural event they choose, but Zibby Owens is a significant power player in this industry, and her public statements therefore carry more weight and influence than those of your average literary citizen.

    If Zibby Owens—”NYC’s most important book-fluencer,” whose extremely popular podcast and book club are regular ports of call for marketing and publicity teams at the Big 5 publishers—declares that “Free Palestine … has come to mean the antagonization of an entire religion” and that condemnation of Israel’s assault on Gaza is tantamount to “fuel[ing] hate,” well, that’s a real problem for our industry. Already hesitant publishers, reading these words, will be be even less likely to publicly support authors who bravely speak out against Israel’s assault on Gaza. Other authors will then be less likely to use their modest platforms to publicly condemn the atrocities taking place.

    All this is to say, kudos to Ruth Dickey for standing her ground on this important issue, and to the National Book Foundation for continuing to platform writers of conscience at their annual flagship event.