• The Maris Review

    The Maris Review

    Michelle Hart on Why You Shouldn’t Ignore Shame in Storytelling

    By The Maris Review  May 12, 2022
    The Maris Review

    Vauhini Vara on Grounding Fiction with Cultural Touchstones

    By The Maris Review  May 5, 2022
    The Maris Review

    “Hypocrisy is Us.” Chantal V. Johnson on Feminism and Misogynoir

    By The Maris Review  April 28, 2022
    The Maris Review

    Maeve Higgins Wants Us to Take Levity (and Language) More Seriously

    By The Maris Review  April 21, 2022
    The Maris Review

    Emily St. John Mandel on Finding a Sense of Creative Recklessness

    By The Maris Review  April 14, 2022
    The Maris Review

    Chloé Cooper Jones on Self-Erasure, Vulnerability, and Writing About Tennis as a Dodge

    By The Maris Review  April 7, 2022
    The Maris Review

    Maud Newton on the Relief of Knowing That Genes Aren’t Fate

    By The Maris Review  March 31, 2022
    Lit Hub Radio

    Alex Segura on the Truths of Noir Literature

    By The Maris Review  March 24, 2022
    The Maris Review

    Liz Scheier on Comedy as a Survival Skill

    By The Maris Review  March 17, 2022
    The Maris Review

    Alejandro Zambra on Writing Two Books in One

    By The Maris Review  March 10, 2022
    The Maris Review

    Sarah Manguso on the Coldness and Quietness of New England Girlhood

    By The Maris Review  March 3, 2022
    The Maris Review

    Bethany C. Morrow on the Self-Delusion of Privilege

    By The Maris Review  February 24, 2022
    The Maris Review

    Why Julia May Jonas Didn’t Name Her Main Character

    By The Maris Review  February 17, 2022
    The Maris Review

    “A Tricky, Electric Topic.” Tessa Hadley on Writing Ambivalent Motherhood

    By The Maris Review  February 10, 2022
    The Maris Review

    Isaac Butler on Why No One Actually Understands Method Acting

    By The Maris Review  February 3, 2022
    The Maris Review

    John Darnielle on the Crisis of Conscience in True Crime

    By The Maris Review  January 27, 2022
    The Maris Review

    Glory Edim on Expanding the Canon of Black Girl Coming-of-Age Stories

    By The Maris Review  January 20, 2022
    The Maris Review

    “I’m Gonna Die if I Have to Write Another One of These.” Why Jami Attenberg Switched to Memoir

    By The Maris Review  January 13, 2022
    The Maris Review

    Xochitl Gonzalez on the Emotional Toll of Success

    By The Maris Review  January 6, 2022
    The Maris Review

    Vendela Vida on the Vocabulary of Stranger Danger

    By The Maris Review  December 30, 2021
    The Maris Review

    Jen Spyra on the Art of Comedic Escalation

    By The Maris Review  December 23, 2021
    The Maris Review

    How to Make a Better World Without Centering Yourself: A Conversation with Alex McElroy

    By The Maris Review  December 16, 2021
    The Maris Review

    Stephen Graham Jones on the Archetypes of a Slasher Narrative

    By The Maris Review  December 9, 2021
    The Maris Review

    Rebecca Donner on Writing History in the Present Tense

    By The Maris Review  December 2, 2021
    The Maris Review

    “Some People Just Treat Africa Like a Blank Canvas.” Chibundu Onuzo on Making Room for the Real in Fiction

    By The Maris Review  November 25, 2021
    Page 4 of 10