• First Draft: A Dialogue on Writing

    First Draft

    Anna North on Finding a Narrative Space Between Dystopia and Utopia

    By First Draft: A Dialogue on Writing   May 24, 2021
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    Layla AlAmmar: Who Gets to Dictate How a Story Is Told?

    By First Draft: A Dialogue on Writing   May 17, 2021
    First Draft

    Why Elizabeth McCracken Loves Ventriloquism and Other Weird Show Business

    By First Draft: A Dialogue on Writing   May 10, 2021
    First Draft

    Wrestling with Derrida’s Concept of Forgiving the Unforgivable

    By First Draft: A Dialogue on Writing   May 3, 2021
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    Nalini Singh on the Unnecessary Divide Between Literary and Genre Fiction

    By First Draft: A Dialogue on Writing   April 26, 2021
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    Chang-rae Lee on Writing as a Bodily Experience

    By First Draft: A Dialogue on Writing   April 19, 2021
    First Draft

    Lidia Yuknavitch Wants You to Write a Triptych

    By First Draft: A Dialogue on Writing   April 12, 2021
    First Draft

    Carol Edgarian: We Write from Our Own Urgency, Our Own Questions

    By First Draft: A Dialogue on Writing   April 5, 2021
    First Draft

    Dantiel W. Moniz on Imposter Syndrome and the Morbidity
    of Girlhood

    By First Draft: A Dialogue on Writing   March 29, 2021
    First Draft

    Priyanka Champaneri on Setting as the Genesis of Her Novel

    By First Draft: A Dialogue on Writing   March 22, 2021
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    Alan Lightman on Our Obligation to Record the Majesty of the Cosmos

    By First Draft: A Dialogue on Writing   March 15, 2021
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    George Saunders on Thinking of Story as Ceremony

    By First Draft: A Dialogue on Writing   March 8, 2021
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    Natalie West on the False Binary of Sex Work Narratives

    By First Draft: A Dialogue on Writing   March 1, 2021
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    Why Eley Williams Recommends Reading Dictionaries Cover to Cover

    By First Draft: A Dialogue on Writing   February 22, 2021
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    Te-Ping Chen: The Lived of Experience of China is More Brave New World Than 1984

    By First Draft: A Dialogue on Writing   February 16, 2021
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    Ben Okri on the Strange Magic of Our Preoccupations

    By First Draft: A Dialogue on Writing   February 8, 2021
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    Mateo Askaripour on the Toll of Racism in the Workplace

    By First Draft: A Dialogue on Writing   February 1, 2021
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    Peter Ho Davies on Writing a Book That Hovers Between Fiction and Fact

    By First Draft: A Dialogue on Writing   January 25, 2021
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    Mark Wunderlich on the Resurrecting Powers of Poetry

    By First Draft: A Dialogue on Writing   January 19, 2021
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    Jamie Harrison on Leaving Easter Eggs for Readers

    By First Draft: A Dialogue on Writing   January 11, 2021
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    Emma Glass on the Ghost Story (and Nursing Career) That Inspired Her Novel

    By First Draft: A Dialogue on Writing   January 4, 2021
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    Kwame Alexander on Learning, from a Young Age, to ‘Use His Words’

    By First Draft: A Dialogue on Writing   December 28, 2020
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    Danielle Evans on Writing Into Power Dynamics

    By First Draft: A Dialogue on Writing   December 21, 2020
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    Cynan Jones on the Strange Visions That Appear in
    His Novels

    By First Draft: A Dialogue on Writing   December 14, 2020
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    Jonathan Lethem on the Wishfulness of Dystopian Fiction

    By First Draft: A Dialogue on Writing   December 7, 2020
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