First Draft

Edgar Kunz on Knowing When a Poem is Finished

In Conversation with Mitzi Rapkin on the First Draft Podcast

 
By First Draft: A Dialogue on Writing   November 13, 2023
First Draft

Tan Twan Eng on Making Readers Angry About History

By First Draft: A Dialogue on Writing   November 6, 2023
First Draft

Richard Deming on Boy George, Bowie, and Not Feeling Alone

By First Draft: A Dialogue on Writing   October 30, 2023
First Draft

Jenn Shapland on Learning Radical Acceptance

By First Draft: A Dialogue on Writing   October 23, 2023
First Draft

Ben Fountain on the Complexities of His New Novel

By First Draft: A Dialogue on Writing   October 16, 2023
First Draft

Daniel Magariel on the Trouble with Titles

By First Draft: A Dialogue on Writing   October 10, 2023
First Draft

Etaf Rum on Exploring Herself Through Her Characters

By First Draft: A Dialogue on Writing   October 2, 2023
First Draft

Edan Lepucki on How Editing Changed Time’s Mouth

By First Draft: A Dialogue on Writing   September 25, 2023
First Draft

James McBride on Going on Faith

By First Draft: A Dialogue on Writing   September 18, 2023
First Draft

Rachel Eliza Griffiths on Feeling Something at the End of a Book

By First Draft: A Dialogue on Writing   September 11, 2023
First Draft

David van den Berg on Seeing the Darkness

By First Draft: A Dialogue on Writing   September 5, 2023
First Draft

Roger Reeves on Sensory Essays

By First Draft: A Dialogue on Writing   August 28, 2023
First Draft

Jenny Qi on Paying Attention

By First Draft: A Dialogue on Writing   August 21, 2023
First Draft

Jennifer Grotz on Changing Poetic Ambitions

By First Draft: A Dialogue on Writing   August 14, 2023
First Draft

Luis Alberto Urrea on How ‘Team Urrea’ Help Him Craft His Novels

By First Draft: A Dialogue on Writing   August 7, 2023
First Draft

Hernan Diaz Has No Draft Two

By First Draft: A Dialogue on Writing   July 31, 2023
First Draft

Alice Elliott Dark on the Moral Argument of Fiction

By First Draft: A Dialogue on Writing   July 24, 2023
First Draft

Stephen Buoro on How A Clockwork Orange Shook His World

By First Draft: A Dialogue on Writing   July 17, 2023
First Draft

Elizabeth Graver on Making a Novel Out of Life

By First Draft: A Dialogue on Writing   July 10, 2023
First Draft

Adrienne Brodeur on Using Summer 2016 as a Setting for Little Monsters

By First Draft: A Dialogue on Writing   July 5, 2023
First Draft

Michelle Brafman on Love Addiction as Fuel for Plot

By First Draft: A Dialogue on Writing   June 26, 2023
First Draft

TC Boyle on Writing About What You Want to Discover

By First Draft: A Dialogue on Writing   June 20, 2023
First Draft

T.J. Newman on Why Writing in Secret Led to a Seven Figure Book Deal

By First Draft: A Dialogue on Writing   June 12, 2023
First Draft

“I Tried To Be Witness to Him.” Sebastian Barry on Writing Characters That Have Survived Trauma

By First Draft: A Dialogue on Writing   June 5, 2023
First Draft

Mona Simpson on Reimagining Mental Health Hospitals in Her New Novel

By First Draft: A Dialogue on Writing   May 30, 2023
First Draft

“It Can’t Be Political Propaganda, but it is Political.” Curtis Sittenfeld on Crafting a Feminist Voice in Fiction

By First Draft: A Dialogue on Writing   May 22, 2023
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